For her first album, violinist Fanny Stefanelli plays with stylistic boundaries with her electric violin and effects pedals, in an uninhibited approach, more focused on a search for sonic hedonism than formalism. To illustrate this link between modernity of form and melodies from the past, we sought out spider-like inspirations, placing the violinist in the middle of a web made of cables and electronics, waltzing organically to the rhythm of the music.